Unit 3-4 Suspance practice

 Camera operator

What does a Camera Operator do?

  

A Camera Operator is responsible for physically operating the camera during filming.

They work under the direction of the Director of Photography and the Director, capturing the best shots possible to visually tell the story.

Their job isn't just to point and shoot. It's about composition, movement, focus, timing, and emotion through visuals.

Camera Operator responsibilities:

1) Operates the camera during scenes. (film, digital, or television broadcast cameras)

2) Frame the Shots, according to the Director's decision on the angles and his vision.

3) Coordinate with the Director of Photography on lighting, lens choices, and camera settings.

4) Work with the 1st Assistant Camera to ensure focus, and with the 2nd Assistant Camera on equipment setup.

5) Execute camera moves precisely like pans, tilts, tracking, and handheld work.

6) Maintain the camera's stability and safety, especially with cranes, dollies, or Steadicam.

7) Communicate closely with actors and crew for smooth shots.

Skills Needed:

1) Strong understanding of the camera's system, lenses, and rigs.

2) Knowledge of composition, framing, and movement.

3) Able to "translate" creative direction into technical camera work.

4) Physical coordination and stamina.

5) Teamwork

6) Calmness under pressure, many takes, long days, and tight schedules.

Types of Camera Operators:

1) Film/TV Drama Operator who works on scripted productions (movies, series)

2) Broadcast Operator, which covers live TV or studio programs.

3) Documentary/ENG Operator who often works solo or in small crews, filming real events.

4) Steadicam/Gimbal Operator who specializes in smooth, dynamic camera movement.

5) A Drone Operator who controls aerial cameras for cinematic shots from the air.

Salary Range (Approximate)

1) Entry-Level/Assistant work: £150 - £300 per day.

2) Union camera operators (film/TV): £500 - £1200 per day (depending on the production scale and union rules)

3) Freelance/experienced operators: can earn much more for commercial or feature film work.

I am interested in this role because I enjoy working with cameras and creating visual stories.

 I have a keen, creative eye for both photography and videography, and I'm quick to notice details that can make a shot more effective. 

I like the mix of technical skill and creativity, and I enjoy being part of the process that brings a scene to life on screen.

Multicam Project (PremierePro)

https://youtu.be/itU_nv0Sydo

Today, we learned a skill in Premiere Pro that makes editing easier when working with multiple cameras and audio sources. By using this technique, we can choose the best recorded sound and switch between camera angles more smoothly, which helps improve the overall quality of our edits.

Importance of Storyboarding

Today, we learned why storyboarding is important in planning a film or video. 

Storyboarding helps us visualize our ideas before we start filming, which allows us to see how each shot will look. 

It also helps us organize the order of events, plan camera angles, and avoid mistakes while filming. Having a clear plan makes the production process faster, easier, and more professional.

Risk Assessment – ​​Filming a Game 

Hazard Identification & Controls  

1. Eye Strain & Fatigue 

Risk: Eye discomfort, headaches, reduced concentration.  

Who is at risk? Students filming and playing the game 

Likelihood: Medium 

Control Measures: 

• Take a 5-10 minute break every hour. 

• Adjust screen brightness to a comfortable level. 

• Follow the 20–20–20 rule (look 20 feet away for 20 seconds every 20 minutes). 

2. Back/Neck Strain from Poor Posture 

Risk: Muscle strain, long-term posture issues  

Who is at risk:  A  student at the workstation 

Likelihood: Medium 

Control Measures: 

• Use an ergonomic chair or adjust seat height. 

• Keep the monitor at eye level and sit with a neutral spine. 

• Take frequent stretching breaks. 

3. Overheating Equipment

Risk: Equipment failure, risk of burns, potential fire hazard  

Who is at risk: Anyone near the equipment 

Likelihood: Low–Medium   

Control Measures: 

• Ensure good ventilation around the console/PC. 

• Keep vents and fans clean and unobstructed to ensure optimal airflow. 

• Regularly monitor equipment temperature and use built-in thermal protection software to automatically shut down or throttle devices if they begin to overheat. Do not leave devices running unattended. 

4. Trip Hazards from Cables

Risk: Slips, trips, or falls 

Who is at risk: Anyone in the workspace 

Likelihood: Low 

Control Measures: 

• Secure or tidy loose cables using clips or cable ties. 

• Organize the space to avoid clutter. 

• Do not run cables across walkways. 

5. Data Loss or Corrupted Footage 

Risk: Loss of work, inability to complete coursework  

Who is at risk:   Student 

Likelihood: Medium  

Control Measures: 

• Save recordings to multiple drives (USB + cloud). 

• Regularly back up project files and recordings. 

• Check storage capacity before recording. 

6. Exposure to Inappropriate/18+ Content 

(Applies if filming PEGI 16 or 18 games.) 

Risk: Recording or viewing unsuitable content.  

Who is at risk: Student, tutor reviewing work. 

Likelihood: Low 

Control Measures: 

• Confirm with the tutor that the game is acceptable for academic use. 

• Enable or use content filters where possible. 

• Avoid including graphic or extreme sections unless absolutely necessary for your coursework. 

7. Online Interactions (Privacy and Harassment) 

Risk: Exposure to offensive content, privacy breaches 

Who is at risk: Student 

Likelihood: Low–Medium 

Control Measures: 

• Mute chat or turn off voice communications when recording to ensure optimal audio quality. 

• Blur usernames during editing. 

• Avoid public lobbies unless required for footage. 

8. Copyright and Legal Issues 

Risk: Misuse of copyrighted material.   

Who is at risk: Student/institution 

Likelihood:  

Control Measures: Low 

• Use footage within "fair dealing" for education. 

• Use copyright-free, licensed, or in-game music only. 

• Do not use extracted assets (models, music) without permission. 

• Clearly document all sources of media and obtain written permission or licenses where required to ensure full compliance with copyright laws. 

9. Software Crashes or Malware 

Risk: Lost recordings, compromised device. 

Who is at risk: Student 

Likelihood: Low 

Control Measures: 

• Use trusted software (OBS, Xbox Game Bar, Nvidia ShadowPlay ). 

• Keep software and systems updated to the latest version. 

• Run antivirus software and avoid unverified downloads. 

10. Stress or Frustration During Gameplay

Risk: Reduced well-being, impaired focus. 

Who is at risk: Student 

Likelihood: Medium 

Control Measures:  

• Take short breaks if feeling stressed or frustrated. 

• Choose a game you are comfortable recording. 

• Maintain a calm working environment. 

 

Overall Risk Level

Low, Medium, or High ( Provided all control measures are followed ) 

Low, provided all measures are followed. 

Conclusion

With proper posture, breaks, data backups, and ethical handling of online content, filming a game for UAL coursework is a low-risk activity. The main hazards relate to screen usage, equipment safety, and privacy, but these can be easily managed through straightforward precautions.s

Color Grading

What is color grading?

Color grading is the artistic process n pinst-production of altering an image's colours, contrast, and brightness to create a specific mood, enhance storytelling, and ensure visual consistency across scenes.

The color grade successfully enhances the mood. By color grading, I warmed the tones in outdoor scenes and made them feel inviting and natural, while in interior shots, I created a calm, intimate atmosphere. Contrast is well-balanced, with no blown-out highlights or lost shadow detail, making the footage look polished and professional.

To get this result, I had to use the Lumetri color panel, which I used to adjust the white balance to fix a slight blue tint. Also, to set exposure and contrast to ensure consistent brightness across clips.

Second, I applied a custom creative preset to unify the color palette, then fine-tuned with the hHcurves tool to add depth to skies and skin tones.

In the end, I adjusted the sharpness in the effects control panel for a finished look.

Risk Assessment Checklist – Filming on Set

1. Environment & Location Safety

☐ Have you carried out a location/environmental risk assessment?
☐ Is there any slip, trip, or fall hazard present?
☐ Is the floor clear of cables, clutter, or loose objects?
☐ Are the weather conditions safe (if outdoors)?
☐ Is the area well-lit and visibility adequate?
☐ Are exits and escape routes clear and accessible?
☐ Are there any restrictions or safety notices you must follow?

2. Equipment Safety

☐ Are cameras, tripods, lights, and audio equipment in safe working order?
☐ Are the tripods stable and locked correctly?
☐ Are lights properly secured and not overheating?
☐ Are extension leads and adapters safe and suitable for the load?
☐ Are all cables secured/taped to avoid tripping?
☐ Is equipment stored safely when not in use?
☐ Have you checked battery levels and charged equipment?

3. Electrical Safety

☐ Are there too many devices plugged into one socket (overloading)?
☐ Are all wires and cables free from damage?
☐ Are the sockets dry and safe to use?
☐ Are lights and power sources properly grounded?
☐ Is water kept away from electrical equipment?

4. Cast & Crew Safety

☐ Has everyone been briefed on the safety plan?
☐ Does everyone know their roles and responsibilities?
☐ Are actors aware of any stunts, movements, or physical actions?
☐ Has consent been obtained for any sensitive scenes?
☐ Are there any accessibility or medical needs to consider?
☐ Does anyone require PPE?

5. Manual Handling

☐ Are you lifting heavy equipment correctly?
☐ Has everyone been shown proper lifting techniques?
☐ Is help available for carrying heavy or awkward equipment?

6. Fire Safety

☐ Is there a working fire alarm nearby?
☐ Do you know where the fire exits are?
☐ Are fire extinguishers accessible and appropriate for the area?
☐ Are hot lights placed away from flammable materials?
☐ Are smoke machines (if used) operated safely and by trained personnel?

7. Filming Activities

☐ Are you using props safely and appropriately?
☐ Are mock fights or action scenes choreographed and supervised?
☐ Is fake blood or makeup used safely and hygienically?
☐ Are loud sounds or SFX controlled to safe levels?
☐ Are drones or moving cameras used with proper clearance and supervision?

8. Weather & Outdoor Hazards (if filming outside)

☐ Have you checked the weather forecast?
☐ Are you prepared for wind, rain, sun, or low temperatures?
☐ Is the equipment protected from weather damage?
☐ Are vehicles or members of the public nearby considered in the plan?
☐ Is the ground even and safe for movement?

9. Legal & Ethical Considerations

☐ Have you got permission to film at the location?
☐ Are there any copyright or signage issues?
☐ Have you avoided capturing members of the public without consent?
☐ Are minors protected and supervised appropriately?
☐ Are risk assessments and release forms completed?

10. Emergency Planning

☐ Do you have a first aid kit available?
☐ Is there a trained first aider on set?
☐ Do you know the nearest emergency services location?
☐ Is someone responsible for calling emergency services if needed?
☐ Is everyone aware of the nearest assembly point?

Final Check

☐ All risks assessed and control measures in place
☐ Crew briefed and sign-in sheet completed
☐ Location left safe and tidy
☐ Risk assessment approved by the relevant person

Title sequences

I chose the title sequences from Alien (1979) and Severance (2022) because they both stand out in very different ways. The Alien intro is extremely minimal, showing almost nothing except empty space, while the title slowly forms letter by letter. The movement is slow and calm, and the dark colors and eerie music make it feel cold and mysterious. It creates tension before the film even starts, which is something I really like. In contrast, the Severance opening is much more surreal and artistic. It shows strange, dream-like animations where the character stretches, melts, and changes shape. The colors are mostly white and grey, giving it a clean but unsettling look, and the music adds to that strange feeling. I like this sequence because it feels creative and really reflects the confusing, unusual world of the show. Even though they're very different, both sequences do a great job of setting the mood right away, which is why they caught my attention.

Black Noir

From the movie The Third Man, this shot captured my attention, creating a sense of suspense.

5 reasons why it makes suspense are:

Low-Angle Shot: The camera looks up at the person. This makes them appear powerful and intimidating. The viewer feels smaller, creating tension. Strong Contrast and Deep Shadows Lighting casts shadows on the face. Hidden features create a sense of danger. The dark background implies something unknown nearby. Confined, Crumbling Setting Damaged walls and tight framing feel cramped. Limited space increases the sense of threat. Calm, Unreadable Expression. The person's calm expression feels unsettling. A lack of emotion suggests hidden motives. Military-Style Helmet and Uniform The attire conveys authority or conflict, adding tension. Overall Effect: These elements create a mood of suspense, making me, the viewer, feel something ominous is about to happen.

George Hurrell

George Hurrell (1904–1992) was an influential American photographer, widely regarded as the defining visual architect of the Hollywood Golden Age glamour style.

Why he matters

Hurrell created the iconic, high-contrast portraits that shaped how film stars were presented and perceived during the 1930s and 1940s. His images did more than promote actors; they constructed powerful screen personas, blending fantasy with aspiration. Through careful lighting, posing and retouching, Hurrell helped establish the enduring visual language of celebrity — polished, dramatic, larger-than-life and meticulously controlled.

Signature style

Hurrell’s work is immediately recognisable for its bold and theatrical qualities. He frequently employed strong key lighting paired with deep, sculptural shadows, a technique often described as Hollywood chiaroscuro. This approach emphasised bone structure, facial symmetry and texture, lending his subjects an almost mythic presence. His mastery of darkroom techniques, including extensive retouching and fine printing, further enhanced the drama, elegance and illusion of perfection in his portraits.

Notable subjects

Hurrell photographed many of the most famous stars of the era, including:

• Joan Crawford

• Clark Gable

• Greta Garbo

• Marlene Dietrich

• Katharine Hepburn

These images became some of the most enduring representations of classic Hollywood stardom.

Career highlights

Hurrell rose to prominence after becoming head of MGM’s portrait department in the early 1930s, where he played a central role in shaping the studio’s visual identity. Following the Second World War, his popularity waned as Hollywood moved towards a more naturalistic and realistic aesthetic. However, his work was rediscovered and celebrated in the 1970s and 1980s, leading to a significant revival during which he photographed contemporary celebrities in his signature classic style, reaffirming his lasting influence on portrait photography.

Understanding Creative Media Companies

Media Product: Avengers: Endgame (2019)

Who made this product?

Marvel Studios – This is the company that produced the film.

Walt Disney Studios Motion Pictures – This company distributed the film.

Parent Company

Both companies belong to The Walt Disney Company.

Disney bought Marvel in 2009, so Marvel Studios is now fully owned by Disney.

How integrated is the company?

Disney uses vertical integration, which means that it controls many stages of the media process:

Production – Marvel Studios makes the film.

Distribution – Disney distributes the film to cinemas worldwide.

Marketing – Disney promotes the film.

Streaming – Disney puts the film on Disney+.

Merchandising – Disney sells toys, games, clothing, etc.

Theme Parks – Disney uses Marvel characters in attractions.

Disney owns many companies, so it can use all of them to increase the success of one product.

Press kit

What is a Press Kit?

A press kit is a collection of materials that provide journalists and media outlets with all the information they need to write about a company, product, or event.

What is it for?

A press kit helps:

1. Inform the Media: It gives journalists key facts quickly.

2. Shape the Story: It helps control how the company or product is presented in the media.

3. Maintain Consistency: It ensures the message stays the same across different outlets.

4. Build Media Relationships: It makes it easier for journalists to write about you.

5. Support Marketing: It helps promote events, products, or company news.

What Might a Press Kit Contain?

1. Press Release: A document announcing news (like a product launch or event).

2. Fact Sheet: A summary with key details about the company or product.

3. Background Info: A brief overview of the company’s history or mission.

4. Biographies: Short profiles of important people (CEO).

5. Images/Logos: Photos or graphics for media to use.

6. Media Coverage: Examples of previous press mentions.

7. Videos/Demos: Clips showing the product or event.

8. Contact Info: Details for media to reach out for more info.

9. Quotes/Testimonials: Positive feedback or expert opinions.

10. Product Samples (optional): Physical or digital samples for journalists.

In short, a press kit is like a ready-made toolkit that makes it easy for the media to cover your story.

This is my group decision.

We are in a dimly lit hallway,Rose enters she walking through the hallway, hearing her footsteps hit the floor. You can hear the wind, the phone pings through the hallways, there's static on the phone making the setting suspenseful and mysterious.

Rose: 'what the fuck is going on'

her hands shake as she looks down at her phone, a weird static is her phone it looks like someone is hacking into it.

While rose is trying to figure out how to stop the phone, her brother comes on screen he looks panicked and stressed trying to say something he say it rushed rather than calm.

Roman: 'I messed up, I messed up, I messed up'

Taking in a deep breath he continues to to speak but this time a bit calmer

Roman: 'Rose, do you remember the mafia guy, I stole drugs from him and we need to go NOW'

Both sibling look around anxious and try to find an exit as soon as they open the door a large figure blocks their way.

As the sibling turn there head up they notice its the mafia he has tracked them down and found them. Waving a knife in his hands he point to both of them one by one.

Mafia: 'Who wants to go first'

As the instinct fight or fly comes in, they decided to run. They rush through the hallways opening doors that lead to knowing, rushing down stairs they keep on looking for a way out.

Rose: 'how are we going to get ou-' she mouth to Roman

Roman: 'im sorry for getting us into this'

Mafia: 'you can run from me' he shouts across the hallways and down the stairs, grinning evilly as he does it 'but u cant hide' 

Rose: 'be quite okay we need to be very sneaky or do u want to be dead'

Roman: 'I don't want to be anything in this moment, I just want out'

Rose: 'okay so just follow my lead'

As Rose and Roman find a exit that they thinks it safe to leave in, they run out only to be met by the same figure

Mafia: 'This has been a very fun game now its time'

As he stares into both there eyes, knife still in hand he takes a step closer and everything darkens.